
30/01/2026 - 30/06/2026
ืืงืื ืืฉืื ื
ืืคืจืืืงื ืฆืืืืื ืฉืืื ื-2014, ืืฆืืื ืืืจืืก ืืกืื ืืช ืฉืืชืืฃ ืืคืขืืื ืืืงืฉืจ ืฉื ืจืงื ืืื ื ืืืื ืกืืจ, ืกืืณื, ืืืณืืืืื ืืืื – ืกืืืื ืืืืช ืคืืกืืื ืืืช ืืืจืืืืช ืืฉืจืื ืืืชื ืืืืจื ืืชื ืืืื – ืืืฉืจืื ืืืืงื ืืื ืืืื ืืจืึพืงืืื ืฉื ื ืฉืื ืฆืขืืจืืช ืืชืื ืืฆืืืืช ืืืจืชืืช ืืคืืืืืืช ืืขืื ื.

19/07/2024 – 13/12/2024
A Place of Our Own
In a photographic project begun in 2014, Iris Hassid presents the long-term collaboration and bond formed between herself and Samar, Saja, Majdoleen, and Aya - Palestinian citizens of Israel whom she met while the four were students in Tel Aviv - mapping an intimate, polyphonic portrait of young women navigating a charged social and political reality.
30/01/2026 - 30/06/2026
ืขื ืืืื ืืืืืจืื
ืืชืขืจืืืช ืืืื ืืืืืืช ืืืฃ ืขืืืืืช ืืืฉ, ืืืื ืกืขืื ืืื ืฉืงืจื ืืืื ืืื ืืชื ืื ืข ืืื ืืฆืืจื ืืืืืืืืืจืคืืช ืฉืืืจืืื ืืืืช ืืื, ืืืื ืืืืจืื ืงืืืงืืืื ืืืคืืืฉ ืืช ืืฉื ืืขืืจ ืขื ืืืืจืขืืช ืืืืื.


30/01/2026 - 30/06/2026
ืืื ืืขืืจ
ืืชืขืจืืืชื ืืืืืืืืืช ืืจืืฉืื ื, ืืืื ืช ืืืจื ืกื ืื ืืช ืฉืืจืืจืืืช ืืืืช ืืจื ืคืจืืื ืืื ืืจืืื ืืคืืืืืงื ืฉื ืืื ืืืืืจืื, ืืืืฆืจืื ืืจืื ืืกืืฆืืืืืื ืฉืื ืืืืช ืืชืืื ืืืฆื ืืชืืฉื ืฉื ืืืคืืฉ, ืืืืื ืืื ืืื ืืืืฉ.
ืืืขืืชืื ืืช



