The exhibition seeks to present a new artistic trend, of works that mark the value of the sacred text precisely through its materiality.

Bingyi's diverse artistic practice encompasses environmental land art, musical and literary composition, ink painting, and performance. Drawing inspiration from landscape paintings and ancient Daoist philosophy, she adopts a non-anthropocentric perspective to connect with nature's creative forces.

A series of engravings captures the stories of formidable women in the Bible and external texts, which serve as the antithesis to the expected roles of 'nice,' good, and obedient women prescribed by the male order. Their subversive confrontations with powerful and influential men have inspired numerous interpretations across generations.

As a continuation and development of the anti-purist artistic practices and beliefs that Meshullam formulated in his canonical works, the exhibition offers a heterogeneous space of observation and thought – "heterosophical" in the artist's language – based on contradiction, investigation, and doubt.

Tamir Zadok’s film depicts the fictional story of digging a canal separating the Gaza Strip from Israel, and presents us with a utopian dream and vision on the one hand, but also a story of denial and disregard for a dystopian reality on the other hand.

Torsten and Katya, a middle-aged couple, go to a train station and pick up Daniel, a young soldier who has just returned from Afghanistan. The next day, they get back into their car and drive to the station. Another young soldier is waiting in the same place.

The exhibition presents acts of protest, resistance, and civil disobedience in Israel since the 1970s, connecting and contextualizing them to offer new perspectives on their social and political significance.

At the "Terra Sancta" Franciscan school, which abuts the wall of the Old City, a football pitch is placed in an asymmetric space which makes it impossible for the goals to face each other, thus giving an advantage to one of the teams. This requires pupils to reach a new geometric compromise in order to play fairly.

The exhibition brings together a rich archive of interviews conducted by the artist Katarzyna Kozyra during her visits to Jerusalem, with extraordinary individuals who believe themselves to be Messiahs.

The exhibition offers us a space that contains the wild and raw alongside aesthetic restraint and order while hinting at, or explicitly referencing, the female body.

A social ritual heavy with the symbols and myths of power that propel Israeli society.

The exhibition presents a wide range of views on Israeli masculinity, which express the changing discourse on the subject, in order to reexamine and challenge the conventions of our lives, and generate an open and free discussion about gender equality.

The exhibition seeks to tell the wide and varied local LGBTQ story, through the historical timeline on the one hand, and through the space axis on the other hand.

The exhibition captures the artistic frame of mind in times of plague and crisis, and describes how the world is shaped by the new reality. The role of art in periods of this kind is to give hope while providing social critique, to evoke imagination, to raise pointed questions about moral issues and to suggest creative ways of dealing with them.

The exhibition deals with different layers of climate change, encourages a vision of a sustainable lifestyle and emphasizes the idea that every person can be a part of the green evolution.

A tension ridden reality of the aggressive and divided Israeli society, which is prone to violent conflicts such as are expressed in the exhibition.

We live in a world in which the brand, the price tag or the logo are what define our attitude to our surroundings, and vice versa, and we ask ourselves, do we make the clothes or do the clothes make us? And if so, why do clothes carry such an important role in our lives, since the day we first covered ourselves with a fig leaf we came across in the Garden of Eden?

Plastic waste is currently one of the most harmful developments on Earth. It is the focus of global discussions regarding treatment of solid waste, mainly due to it being a toxic material that is not bio-degradable, breaking down to tiny particles, “micro plastic” which finds its way into the bodies of fish, birds and other animals who feed on what nature offers them.

Do we have good reasons to worry about the ultimate human-like machine we are developing, and will it very soon prove us severely mistaken? Or, in other words, is humankind on the verge of a struggle for control versus man-made machines, which are beginning to form their own independent thoughts?

The exhibition will present humankind’s race to reach further and higher. It is a race in which the big cities - those which are developing at a dazzling pace, not always in correlation with the real needs of their inhabitants.

A personal confession of an individual, expressing his critique and conveys a sense of existential meaning in a society consumed with its cultural and ethical difficulties.

Rani Sasson and Dror Ben Ami contemplate the natural forces and their innermost being, offering a moving experience of the process of creation in which the spirit is briefly touched and we are reborn.In the exhibition we will meet Rani Sasson's intimate, sensitive story, who shares her feelings with us and shows us her personality and femininity in a story about motherhood and childhood.We will also meet Dror Ben Ami, who takes us on a journey into our self-imagination, transporting us to lost unfamiliar landscapes.

Netta Lieber Sheffer, derived from Sigmund Freud seminal essay "The Uncanny", presents oil paintings and chalk drawings of death masks. She fixates the moment of encounter with death, and thus capturing the remains of the memory through the reflection of the dead person in the mask.

The exhibition exposes the civilization that allows people to live their lives without thinking about or questioning the horrors that lie a step or two away from the lives that most of us live. Throughout 30 etchings by Marcelle Hanselaar we get a glance to the world of women and girls as war victims.
A work of art can memorialize a moment in time that one might wish to forget, and provoke the viewer to choose – look away or keep looking.

Drawings, photographs and installations which challenge the visitor to examine what is left from democracy, and what remains of the promise for a new world of equal rights and opportunities.
Have we lost hope in democracy? Has democracy become a synonym for corruption? Have the mission of democracy and those it was meant to serve been forgotten?

The exhibition "Jerusalem – Self Portrait" brings together different people who though may be poles apart, share their lives in Jerusalem. The exhibition presents an impossible reality, documented by photographers living in Jerusalem, Arabs and Jews alike, fashion photographers as well as news photographers, working in all corners of the city.
Throughout video installation you will participate in a ‘Tish’ at the Rabbi’s court and will find yourselves in the midst of a street demonstration. You will meet young Muslim girls for whom the Hijab has become a fashionable accessory, and will conclude their visit at a nocturnal party of lost souls.

The Exhibition deals with the aesthetic, cultural, national and political meanings between trees and men as independent creatures discovering their weaknesses, instincts and interdependence upon one another, and between themselves to the natural environment surrounding them.

The Exhibition deals with the consequences of a total annihilation of humanity by humanity itself using the technology it produces, and raises for renewed discussion issues of identity, ethics, sovereignty and the use of military force in a total war that will exterminate mankind.

The group exhibition exposes us, the viewers, to the inner world of women, while identifying cases of subjugation and discrimination that mostly occur in the private and public spheres. The images portray a harsh reality that oblige us to open our eyes and boldly observe them closely, and thus to express our solidarity with this struggle.

Faith seeks to strictly preserve the boundaries and laws of the Jewish tradition, while contemporary art serves as a mirror depicting our times and their constant change. It seems that lately an interaction is taking place between these two. The exhibition seeks to contribute and serve as a bridge while helping us understand this renewed discourse through the messages that the artists convey to us.

Last photos of the Pulitzer Prize winner Prior to her assassination in Afghanistan
Anja Niedringhaus

We live in a postmodern era which is characterized by the absence of a sense of ontological security and a lost sense of individualism.

Are individuals responsible for their acts and hence for their fate and their freedom of choice?
To what extent do society and the authorities restrict individuals, their personalities and decision making, and to what extent are their moral choices influenced by their social identity?

We adore them and hate them at the same time; we admire them and despise them. We project our whims and hopes onto them and at the same time watch them being lead restrained and humiliated to courtrooms derived of their mythical powers and charisma.
We bear witness lately, to an unprecedented local and global leadership crisis.
The exhibition is launched while public trust in the institution of leadership is an all-time low.

Loneliness is a major contemporary phenomenon, gaining more and more impact on people’s lives. The exacting urban environment, in the face of social and technological changes, never leaves the individual in peace – it forever urges him, stimulates his nerves and attacks his senses in an endless sequence of fleeting perceptions and random impressions.

The exhibition attempts to scrutinize the existing harsh relationship between mankind and other animals, and to challenge us to show sensitivity and to face the reality of which the majority amongst us is not sufficiently aware.
The exhibition calls upon us to look at the flesh and blood as a fabric connecting the family of animals, of which we are part, and to treat it with respect and compassion.

The exhibition sets out on a memory-aided journey to the future, to face works of art which expose us to images delved from the archives of repression and denial of fears and anxieties from our past experiences.

A new wind is blowing across the Western world, even in the margins of the liberal left. A new wind that affects even those who until recently still believed in sharing equality and mutual respect with the other and commended the idea of multiculturalism.

At a time of differing and various ideologies - distinct from one another, mutually remote in their location on the political spectrum and moreover, mutually hostile - Israeli society is divided in its protest.

HomeLessHome will aspire to investigate the relationship between the private home and the state. It will study the formal and functional similarity between the two spaces which enables the definition of both as "home" (the national home), and the difference between them, which traditionally places the former in the private (or natural) sphere and the latter in the political sphere.

The NatureNation exhibition is based on diverse aspects of distinctions, positions, beliefs, ideologies, and social, political and economic points of departure that explore the complex encounter between man and the environment and between man and nature.

Exhibition HeartQuake seeks to shudder and shake, identity and otherness vis a vis anxiety; to highlight and stress the process of man’s emotional contention with his environment, and also to peer through the prism of dread to examine his reactions.

This exhibition aims to touch upon the increasingly unraveling seam between deviant states and normative states, and to point resolutely at the place where the temporary emergency situation turns into a legitimized ongoing situation that in the end leads to a paranoia of suspicion and to the use of violence to re-establish public order.

The exhibition "Equal and Less Equal" attempts to awaken the awareness and social sensitivity so frequently dulled in us, and elucidate questions relating to the labour relations prevailing in our world.

DEADEND is an exhibition that presents a difficult reality that has turned violence into the language of daily life. This language threatens the existence of human society.